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Page The facts about font licensing
by Mark Barratt published Dec 20, 2010 last modified Aug 26, 2015 11:39 PM — filed under: , ,
Unlike digital products such as music or movie files which are an end unto themselves, digital fonts are software programs that lead to an end. They are tools that allow you to make information accessible and visually effective, and also generate revenue for you, your business partners and clients. Type families are the result of hundreds of hours of work over months – often over years – until thousands of glyphs in several weights and styles have been developed into a useful, creative tool. Due to their ubiquitousness, they are often taken for granted, and so users often lack sufficient licensing for the fonts they're using.
Located in Type & typography
Page text/texmacs Five basic rules for buying fonts
by Mark Barratt published Dec 20, 2010 last modified Aug 26, 2015 11:39 PM — filed under: , ,
Although most people speak of "buying fonts," you are actually purchasing a license to use them. The instantiation of the design in a digital font remains the property of the foundry or designer. Usually, the permissions and restrictions described in the End User License Agreement (EULA) must be accepted before purchasing and downloading the font file(s). It is safe to say that most font EULAs are similar to each other, but often differ in specific points, so it's always wise to familiarize yourself with the licenses for your fonts. Here are five basic rules to be aware of when using fonts.
Located in Type & typography
Media Open and collaborative font design in a web fonts world
by Victor Gaultney published Dec 20, 2010 last modified Aug 26, 2015 11:39 PM — filed under: , , ,
Victor Gaultney leads a discussion panel about open or collaborative font projects. From the 2013 ATypI conference in Amsterdam.
Located in Type & typography
Media From metal to phototypesetting: new opportunities in typeface design
by Alice Savoie published Dec 20, 2010 last modified Sep 18, 2015 04:44 PM — filed under: , , ,
The years following WWII marked the beginning of a period of radical changes in typesetting technologies. After 500 years of printing with metal type, the first machines that could set type photographically reached the market, initiating three decades of intense development in photocomposition, and challenging years of well-established practices in type manufacturing.
Located in Type & typography
News Item Announcement: Executive Director position
by Mark Barratt published Aug 27, 2015 last modified Aug 27, 2015 04:13 PM — filed under:
Executive Director of the Association Typographique Internationale
Located in News / 2015
Event C header History of the Monotype Corporation: book launch
by Catherine Dixon published Dec 20, 2010 last modified Aug 26, 2015 11:40 PM — filed under: , , ,
Talk, discussion and launch of this important new publication – the first assessment of the Corporation’s history in its significant years between 1897 and 1992. With co-editor Andrew Boag and authors Sebastian Carter, Richard Southall, and Judy Slinn – along with Richard Lawrence, and Susan Shaw.
Located in Events
Event ECMAScript program Design Education: A one-day international symposium on (alternative) pedagogical practices
by Petra Černe Oven published Dec 20, 2010 last modified Aug 26, 2015 11:40 PM — filed under: , , , ,
with amazing speakers: David Erixon (Ireland/Sweden), Tony Fry (Australia), Teal Triggs (Great Britain/USA) organized by Academy of Fine Arts and Design, Ljubljana, Slovenia
Located in Events
Page chemical/x-isostar Starting a type foundry 101: a checklist
by Jean-Baptiste Levée published Jan 09, 2017 — filed under: , , ,
Jean-Baptiste Levee ATypI 2016 • Warsaw, Poland NiNA
Located in Type & typography
Page A Bigger Pie
by Bill Davis, Indra Kupferschmid, Joyce Ketterer, Andrej Kratky, Matthew Rechs published Jan 09, 2017 — filed under:
A Panel Discussion on Getting More People to Buy More Type Bill Davis, Indra Kupferschmid, Joyce Ketterer, Andrej Kratky, Matthew Rechs ATypI 2016 • Warsaw, Poland Academy of Fine Arts in Warsaw ASP
Located in Type & typography
Page application/x-troff-me Why don’t EULA’ve me?
by Joyce Ketterer published Jan 09, 2017 last modified Jan 10, 2017 05:01 PM — filed under: ,
Joyce Ketterer ATypI 2016 • Warsaw, Poland NiNA
Located in Type & typography