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The facts about font licensing
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by
Mark Barratt
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published
Dec 20, 2010
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last modified
Aug 26, 2015 11:39 PM
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filed under:
business,
intellectual-property,
licensing
Unlike digital products such as music or movie files which are an end unto themselves, digital fonts are software programs that lead to an end. They are tools that allow you to make information accessible and visually effective, and also generate revenue for you, your business partners and clients. Type families are the result of hundreds of hours of work over months – often over years – until thousands of glyphs in several weights and styles have been developed into a useful, creative tool. Due to their ubiquitousness, they are often taken for granted, and so users often lack sufficient licensing for the fonts they're using.
Located in
Type & typography
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Five basic rules for buying fonts
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by
Mark Barratt
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published
Dec 20, 2010
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last modified
Aug 26, 2015 11:39 PM
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filed under:
business,
intellectual-property,
licensing
Although most people speak of "buying fonts," you are actually purchasing a license to use them. The instantiation of the design in a digital font remains the property of the foundry or designer. Usually, the permissions and restrictions described in the End User License Agreement (EULA) must be accepted before purchasing and downloading the font file(s). It is safe to say that most font EULAs are similar to each other, but often differ in specific points, so it's always wise to familiarize yourself with the licenses for your fonts. Here are five basic rules to be aware of when using fonts.
Located in
Type & typography
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Open and collaborative font design in a web fonts world
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by
Victor Gaultney
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published
Dec 20, 2010
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last modified
Aug 26, 2015 11:39 PM
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filed under:
business,
design-method,
licensing,
type-design
Victor Gaultney leads a discussion panel about open or collaborative font projects. From the 2013 ATypI conference in Amsterdam.
Located in
Type & typography
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From metal to phototypesetting: new opportunities in typeface design
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by
Alice Savoie
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published
Dec 20, 2010
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last modified
Sep 18, 2015 04:44 PM
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filed under:
business,
history,
type-design,
type-technology
The years following WWII marked the beginning of a period of radical changes in typesetting technologies. After 500 years of printing with metal type, the first machines that could set type photographically reached the market, initiating three decades of intense development in photocomposition, and challenging years of well-established practices in type manufacturing.
Located in
Type & typography
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Announcement: Executive Director position
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by
Mark Barratt
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published
Aug 27, 2015
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last modified
Aug 27, 2015 04:13 PM
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filed under:
business
Executive Director of the Association Typographique Internationale
Located in
News
/
2015
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History of the Monotype Corporation: book launch
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by
Catherine Dixon
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published
Dec 20, 2010
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last modified
Aug 26, 2015 11:40 PM
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filed under:
business,
printing-methods,
type-design,
type-technology
Talk, discussion and launch of this important new publication – the first assessment of the Corporation’s history in its significant years between 1897 and 1992. With co-editor Andrew Boag and authors Sebastian Carter, Richard Southall, and Judy Slinn – along with Richard Lawrence, and Susan Shaw.
Located in
Events
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Design Education: A one-day international symposium on (alternative) pedagogical practices
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by
Petra Černe Oven
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published
Dec 20, 2010
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last modified
Aug 26, 2015 11:40 PM
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filed under:
business,
design-method,
education,
graphic-design,
research
with amazing speakers:
David Erixon (Ireland/Sweden), Tony Fry (Australia), Teal Triggs (Great Britain/USA)
organized by Academy of Fine Arts and Design, Ljubljana, Slovenia
Located in
Events
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Starting a type foundry 101: a checklist
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by
Jean-Baptiste Levée
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published
Jan 09, 2017
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filed under:
business,
education,
intellectual-property,
licensing
Jean-Baptiste Levee
ATypI 2016 • Warsaw, Poland
NiNA
Located in
Type & typography
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A Bigger Pie
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by
Bill Davis, Indra Kupferschmid, Joyce Ketterer, Andrej Kratky, Matthew Rechs
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published
Jan 09, 2017
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filed under:
business
A Panel Discussion on Getting More People to Buy More Type
Bill Davis, Indra Kupferschmid, Joyce Ketterer, Andrej Kratky, Matthew Rechs
ATypI 2016 • Warsaw, Poland
Academy of Fine Arts in Warsaw ASP
Located in
Type & typography
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Why don’t EULA’ve me?
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by
Joyce Ketterer
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published
Jan 09, 2017
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last modified
Jan 10, 2017 05:01 PM
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filed under:
business,
intellectual-property
Joyce Ketterer
ATypI 2016 • Warsaw, Poland
NiNA
Located in
Type & typography