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Event Talk: Type Tuesday: Stencil spectacular
by Catherine Dixon published Dec 20, 2010 last modified Aug 26, 2015 11:40 PM — filed under: ,
Eye Magazine host the latest in their series of Type Tuesday events at St Bride Foundation this time featuring stencil typeface design with Eric Kindel and Fred Smeijers.
Located in Events
Event Talks : Letterform Live: film & tv
by Catherine Dixon published Dec 20, 2010 last modified Aug 26, 2015 11:40 PM — filed under: ,
February’s edition of Letterform Live hosted by Grafik with Monotype, a live version of its magazine feature, Letterform at which graphic designers are invited to talk about their favourite letterforms. This month’s theme is film + tv, with speakers: Alistair Hall, Craig Oldham, Gordon Reid, James Greenfield, Sarah Boris + Susanna Edwards.
Located in Events
Event C source code Talks : Letterform live: music
by Catherine Dixon published Dec 20, 2010 last modified Aug 26, 2015 11:40 PM — filed under: ,
April’s edition of Letterform Live hosted by Grafik with Monotype, a live version of its magazine feature, Letterform at which graphic designers are invited to talk about their favourite letterforms. This months theme is music, with speakers: tbc
Located in Events
Page Tanaka Ikko and the Japanese Modern Typography
by Mariko Takagi published Jan 09, 2017 — filed under: ,
Tanaka Ikko and the Japanese Modern Typography — a convergence of Western inspiration and Japanese aesthetics Mariko Takagi ATypI 2016 • Warsaw, Poland Academy of Fine Arts in Warsaw ASP
Located in Type & typography
News Item Pascal source code Tenth Prix Charles Peignot to be awarded during ATypI 2018 in Antwerp
by Tamye Riggs published Aug 28, 2018 — filed under:
The Prix is presented every three to five years to a designer aged thirty-five years or less, in honor of their significant contributions to type design.
Media The (potential) future of responsive typography
by Nick M Sherman published Dec 20, 2010 last modified Aug 26, 2015 11:39 PM — filed under: , ,
In this presentation Nick Sherman shares his views about the limitations of web typography. From the 2013 ATypI conference in Amsterdam.
Located in Type & typography
Image ECMAScript program The 5th Hiii Typography Design Competition Call for Entries
by Zhao Liu last modified Mar 23, 2019 04:30 PM — filed under:
The Hiii Typography International Typography Design Competition, an international, professional and pioneering competition at the forefront of typography, is sponsored by Hiiibrand Inc. It has been successfully held for four times from 2013 to 2016. The organizing committee of the 5th edition has invited five senior experts at type design as judges. Now Hiii Typography is soliciting excellent typography design works facing world-wide enterprises, design studios, design companies, designers and art design majors. The aim of this competition is to explore outstanding design talents, reward excellent design works, and to advance and further the development of typography design career via Hiiibrand.com The competition is divided into two levels: Professional and Student, for which four categories are set up respectively: Latin Typeface, Chinese Typeface, Communication and Experimental. Based on the principle of justice and equity, several world-famous judges will select the winners for Grand Prix and Jury Awards. Other awards include Gold, Silver, Bronze and Merit Awards for each group. The winning works and other shortlisted works will be published on the Hiii Typography 5 edition and displayed in the award-winning exhibition. The competition has two levels: Professional and Student, for which four categories are set up respectively: A) Latin Typeface B) Chinese Typeface C) Communication D) Experimental The candidate works being created from 2016 to 2019. There’s no limitation on quantity, region or nationality. Entries from any company, group or individuals are eligible. Any digital files should be saved as JPG, 72 dpi, RGB (not CMYK), 1024 pixels on the longest side, less than 500KB. You can choose either on line or via email (ht2018@hiiibrand.com) to enter this competition. Deadline: March 31, 2019 Judges: Hideki Nakajima, Japan Juan Villanueva, USA Veronika Burian, Germany Sammy Or, Hong Kong, China Robin Hui, Hong Kong, China Eligibility Facing world-wide enterprises, design institutes, design companies, designers and students, it collects typography design works from any individual or group. Prize Several world-famous judges will select the winners for Grand Prix and Jury Awards. Other awards include Gold, Silver, Bronze and Merit Awards for each category. The winning works will be published on the annual of Hiii Typography, and there will be series exhibitions of Hiii Typography in different cities. Annual Hiii Typography 1-4 https://www.ebay.com/itm/143182461001 Hiii Typography 1-4 has included more than 1700 design works born out of past four competitions from over 30 countries and regions since 2013 to 2016. 106 bronze prize and above works, and 6 golden prize winners’ exclusive interview have been included in this book. Based on the international perspective, the book interprets the beauty of type from the perspectives of typography, type application and type experiment. Hope to let more people love and understand the typography, and inspire professional designers to give people more surprises. Link: www.hiiibrand.com/competion.php?act=goods_list&id=38
Located in News
Media The grotesque one-eyed ‘a’
by Albert-Jan Pool published Dec 20, 2010 last modified Sep 18, 2015 04:43 PM — filed under: ,
When looking at the ‘a’ of the upright styles of Futura one might question how it could take type designing mankind so long to create such a simple and successful letterform. Starting from this question, I will show my findings on how and why this specific form of the upright ‘a’ has been developed through history, seguing into how it affects contemporary typeface design.
Located in Type & typography
Media The history of ‘humanist’ type
by Craig Eliason published Dec 20, 2010 last modified Aug 26, 2015 11:39 PM — filed under: , , ,
Craig Eliason examines the term ‘humanist as it has been applied to type. From the 2013 ATypI conference in Amsterdam.
Located in Type & typography
Media The Infancy of the Monotype Library
by Daniel Rhatigan published Dec 20, 2010 last modified Sep 18, 2015 04:44 PM — filed under: , ,
British Monotype was formed in 1897, an offshoot of its American counterpart. The company spent its first years adapting a selection of popular British foundry types of the day to show the typecasting and setting prowess of its machines, but the types themselves required an ambitious amount of development.
Located in Type & typography