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Page Call for presentations
by Pedro Amado published Mar 15, 2017 last modified May 10, 2017 08:42 PM — filed under: , , ,
The call for presentations for ATypI 2017 Montréal is now closed. Thank you for submitting! Reviews and scheduling are in progress. We will notify selected speakers by the end of May.
Located in Conferences / Montréal 2017
Page Call for presentations
by Tamye Riggs published Feb 02, 2016 last modified Oct 12, 2016 07:03 PM — filed under: ,
The call for presentations for ATypI 2016 Warsaw closed on April 11, 2016.
Located in Conferences / Warsaw 2016
Page Call for presentations
by Pedro Amado published Mar 15, 2017 last modified Jun 27, 2018 06:12 PM — filed under: , , ,
The call for presentations for ATypI 2018 Antwerp is now closed. Notifications will be made in June.
Located in Conferences / Antwerp 2018
Page Capital additions to Georgian typography
by Akaki Razmadze, Jan Charvat published Jan 09, 2017 — filed under:
Akaki Razmadze, Jan Charvat ATypI 2016 • Warsaw, Poland Academy of Fine Arts in Warsaw ASP
Located in Type & typography
Page Octet Stream Code Switching, Multi-Style, Diglossia
by Roman Wilhelm published Jan 09, 2017 last modified Jan 09, 2017 06:13 AM — filed under: ,
Roman Wilhelm On the Convergence of Blackletter and Roman Fonts in Early Prussian Typesetting, 1530-1806 ATypI 2016 • Warsaw, Poland Academy of Fine Arts in Warsaw ASP
Located in Type & typography
Page Deep Neural Network in Typeface
by Keitaro Sakamoto, Tetsuo Sakomura published Jan 09, 2017 — filed under: , ,
Keitaro Sakamoto, Tetsuo Sakomura ATypI 2016 • Warsaw, Poland Academy of Fine Arts in Warsaw ASP
Located in Type & typography
File Designing CJK typeface under an unified concept
by Shinya Yagami published Dec 20, 2010 last modified Aug 26, 2015 11:39 PM — filed under: ,
Shinya Yagami. The Japanese writing system is formed by different characters such as Kanji, Kana, Alphabet, Numbers, Symbols including Emojis, etc. Japanese typeface that consists of more than 23,000 characters is sophisticatedly designed and formed through a long history of time. From the 2012 ATypI conference in Hong Kong. We have designed an expanded font family which has added horizontal and vertical adjustments of boldness of its character, that is called “A Gradation Family”. Furthermore, the formation of a multilingual font designed under the same logic, combining Chinese, Korean and Japanese, is going to be released soon. Morisawa Inc., a company having contributed to Japanese culture and typeface for more than 80 years, introduces the new chapter of the typeface.
Located in Type & typography
Media Designing with science
by Matthew Carter published Dec 20, 2010 last modified Aug 26, 2015 11:39 PM — filed under: , , ,
In this presentation, Matthew Carter and Kevin Larson discuss what letter recognition tests might uncover and how those results could be used in practice. From the ATypI 2013 conference in Amsterdam.
Located in Type & typography
File text/texmacs Development of pan-CJK fonts
by Jürgen Willrodt published Dec 20, 2010 last modified Aug 26, 2015 11:39 PM — filed under: , ,
By Jürgen Willrodt. The development of fonts which are usable and acceptable in different countries using CJK ideograms in Asia requires the usage of multiple locale glyph variants for different countries. We discuss the technical requirements for such a font, the different options for implementation and the production process using the Ikarus font production system. We show as an example the integration of different CJK locales into our Nimbus Global font family. From the 2012 ATypI conference in Hong Kong.
Located in Type & typography
Page Diacritics as a Means of Self-Identification
by Aleksandra Samulenkova published Jan 09, 2017 — filed under: ,
The Case of Latvia. Aleksandra Samulenkova ATypI 2016 • Warsaw, Poland Academy of Fine Arts in Warsaw ASP
Located in Type & typography