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Page From forgotten boxes to Three Pioneers of Hebrew Typography
by Ada Wardi published Jan 09, 2017 — filed under: ,
Ada Wardi ATypI 2016 • Warsaw, Poland Academy of Fine Arts in Warsaw ASP
Located in Type & typography
Media From metal to phototypesetting: new opportunities in typeface design
by Alice Savoie published Dec 20, 2010 last modified Sep 18, 2015 04:44 PM — filed under: , , ,
The years following WWII marked the beginning of a period of radical changes in typesetting technologies. After 500 years of printing with metal type, the first machines that could set type photographically reached the market, initiating three decades of intense development in photocomposition, and challenging years of well-established practices in type manufacturing.
Located in Type & typography
Page From Typespotting to Warsaw letters
by Artur Frankowski published Jan 09, 2017 — filed under: , ,
Artur Frankowski ATypI 2016 • Warsaw, Poland Academy of Fine Arts in Warsaw ASP
Located in Type & typography
Page Fusion
by Yin Qiu published Jan 09, 2017 — filed under: ,
Qiu Yin The interactive communication between font and people ATypI 2016 • Warsaw, Poland Academy of Fine Arts in Warsaw ASP
Located in Type & typography
File GlyphWiki - a Wiki-based glyph design and font production system
by Taichi Kawabata published Dec 20, 2010 last modified Aug 26, 2015 11:39 PM — filed under: , ,
By Taichi Kawabata and Kamichi Koichi. Today, more than 75,000 CJK Unified/Compatibility Ideographs have been encoded in Unicode. However, there are many more such characters that have yet to be unencoded, either because they have simply not been standardized (or submitted for standardization), or because they exhibit sometimes subtle or minor glyph-design differences and are thus unified with an existing character. There is a strong demand to be able to distinguish these subtle or minor design differences. GlyphWiki, a Wiki-based collaborative glyph design system, is specifically architected to satisfy such needs. GlyphWiki enables anyone to design his/her own glyph, name it, and publish it as a TrueType font or SVG file. GlyphWiki has been used to develop the world's first font that includes glyphs for all CJK Unified/Compatibility Ideographs. This presentation will demonstrate the benefits of GlyphWiki, how it can be used to manage a large number of glyphs, and how to turn them into a fully-functional OpenType font. The accompanying paper describes GlyphWiki's architecture in detail, to include its glyph naming system, and how the features in the resulting OpenType font correspond to the Wiki-based naming schemes. From the 2012 ATypI conference in Hong Kong.
Located in Type & typography
Media Hanzi-Graphy
by Mariko Takagi published Dec 20, 2010 last modified Aug 26, 2015 11:39 PM — filed under: , ,
Mariko Takagi talks about a research project started in 2011 to bridge the two “contrary” writing systems by typographic means. From the 2013 ATypI conference in Amsterdam.
Located in Type & typography
Page ECMAScript program Hiragana & Katakana: the voice of Japanese typefaces
by Osamu Torinoumi, Reiko Hirai published Jan 09, 2017 — filed under: ,
Osamu Torinoumi, Reiko Hirai ATypI 2016 • Warsaw, Poland Academy of Fine Arts in Warsaw ASP
Located in Type & typography
Event C header History of the Monotype Corporation: book launch
by Catherine Dixon published Dec 20, 2010 last modified Aug 26, 2015 11:40 PM — filed under: , , ,
Talk, discussion and launch of this important new publication – the first assessment of the Corporation’s history in its significant years between 1897 and 1992. With co-editor Andrew Boag and authors Sebastian Carter, Richard Southall, and Judy Slinn – along with Richard Lawrence, and Susan Shaw.
Located in Events
News Item Information for attendees of ATypI Working Seminar Amiens 2020
by Tamye Riggs published Feb 05, 2020 — filed under: , ,
Tomorrow kicks off our first event of 2020. This edition of the Working Seminars is presented by ATypI in partnership with ESAD Amiens (France). Read on for essential attendee info.
Media Inline vs outline
by Jo de Baerdemaeker published Dec 20, 2010 last modified Aug 26, 2015 11:39 PM — filed under: , ,
Jo de Baerdemaeker investigates the roots of manufacturing inline typefaces and illustrates the reasoning of their development through the typographic analysis of ornamented types. From the 2013 ATypI conference in Amsterdam.
Located in Type & typography