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Page Digitalization of the Demotic Script from the middle part of the text on Rosetta Stone
Irena Ristevska NiNA
Located in Type & typography
Page Octet Stream Code Switching, Multi-Style, Diglossia
Roman Wilhelm On the Convergence of Blackletter and Roman Fonts in Early Prussian Typesetting, 1530-1806 ATypI 2016 • Warsaw, Poland Academy of Fine Arts in Warsaw ASP
Located in Type & typography
Page Museum & typeface
In search for the perfect match. Museum of Warsaw case study Anna Swiatlowska ATypI 2016 • Warsaw, Poland Academy of Fine Arts in Warsaw ASP
Located in Type & typography
Page Muster Hundreds!
Towards a people’s history of American wood type David Shields ATypI 2016 • Warsaw, Poland Academy of Fine Arts in Warsaw ASP
Located in Type & typography
Page Tanaka Ikko and the Japanese Modern Typography
Tanaka Ikko and the Japanese Modern Typography — a convergence of Western inspiration and Japanese aesthetics Mariko Takagi ATypI 2016 • Warsaw, Poland Academy of Fine Arts in Warsaw ASP
Located in Type & typography
Page chemical/x-molconn-Z Versatile Type Design for the Web
Louis-Remi Babe ATypI 2016 • Warsaw, Poland NiNA
Located in Type & typography
Page Lean Back
The Evolution of Reverse Italics Jo De Baerdemaeker ATypI 2016 • Warsaw, Poland Academy of Fine Arts in Warsaw ASP
Located in Type & typography
Page The legibility of letters and words
Sofie Beier ATypI 2016 • Warsaw, Poland Academy of Fine Arts in Warsaw ASP
Located in Type & typography
Page Pascal source code Buddy up!
The impact of collaboration on the type industry Bianca Berning ATypI 2016 • Warsaw, Poland Academy of Fine Arts in Warsaw ASP
Located in Type & typography
Page Capital additions to Georgian typography
Akaki Razmadze, Jan Charvat ATypI 2016 • Warsaw, Poland Academy of Fine Arts in Warsaw ASP
Located in Type & typography