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You are here: Home / Conferences / Hong Kong 2012 / Programme / 11 October – Type technologies & workshops


Under the hood
When Thu 11 Oct 1020
Where Presentations
Who Ken Lunde

Conventional CJK fonts are designed on the principle that each of their thousands (or tens of thousands) of glyphs occupies a fixed design space, typically a square, but sometimes a rectangle. Kazuraki, which was inspired by the handwriting of the famous 12th century Japanese artist, writer, and poet, Fujiwara no Teika, and designed by Adobe's Senior Type Designer, Ryoko Nishizuka, breaks this assumption.

Designing the glyphs for fully-proportional CJK fonts, along with determining their horizontal and vertical metrics, presents several challenges. Turning this raw data into a fully-functional OpenType/CFF font requires special techniques to ensure that it behaves as expected in modern applications. This effort includes techniques for making the proportional metrics the default for both writing directions, horizontal and vertical, along with the proper handling of special glyphs, such as the hiragana ligatures that are intended to be used only for vertical writing.

This presentation focuses on the technical hurdles that were overcome so that Kazuraki, with its unique typeface-design characteristics, could be implemented as a fully-functional OpenType/CFF font. Also covered is the broad extent to which the techniques used to design and implement Kazuraki are fully applicable to other CJK fonts besides Japanese.

This presentation is intended to serve as a continuation of the "Kazuraki: Its Art & Design" presentation.

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