Designing in the dark. Mark Barratt

Some thoughts about responsive design, content management, typography and team-working.

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The facts about font licensing
Five basic rules for buying fonts
Athena Ruby
Think it through!
Expanding possibilities of typography
Typeface for Prague enamel street signs
Don’t design web fonts
Alverata
Making Mongolian & Balinese work in digital type
Post-paper
Glossy design then and now
New Transport
Designing with science
Ala has a pen
The (digitized) calligraphy on HM Queen Beatrix’ Abdication Act 2013
Hanzi-Graphy
The (potential) future of responsive typography
Lost and found
Inline vs outline
Open and collaborative font design in a web fonts world
On digitization
Directionality in Korean type design
The new Rijksmuseum identity and typeface family
Speed punk
The history of ‘humanist’ type
Yearning for kerning
The Infancy of the Monotype Library
Early stencil makers in Europe
What's the point?
A few methods for teaching letter-drawing to graphic design students
How Wagner & Schmidt complicated type history
Latinised Hebrew- radical anecdotes in search for solutions
The grotesque one-eyed ‘a’
The Maciet collection at the Musée des Arts décoratifs in Paris, a delightful chaos of typographic diversity
Design and Identity – Between global types and local characters
From metal to phototypesetting: new opportunities in typeface design
Adrian Frutiger
Farewell etaoin shrdlu
State of the Mart
In conversation with Erik Spiekermann
Starting a type foundry 101: a checklist
Special OpenType Session
Introducing FontLab VI
Telling good from bad Lettering
Polish letters • Keynote • ATypI 2016 • Warsaw, Poland
The Sound of Shapes & Shape of Sounds
Lessons from the first type exercise
A Typographic Maghribi Trialogue
Diacritics as a Means of Self-Identification
Typefaces for telephone directories
Different stories, different needs.
Shine bright like a letter
Hiragana & Katakana: the voice of Japanese typefaces
There is nothing Arabic about the Arabic script
The proof is in the testing…
A Bigger Pie
Before Desktop Publishing
Warsaw Types
From forgotten boxes to Three Pioneers of Hebrew Typography
Introducing Metapolator
BubbleKern
The stencilled poster in Paris in the 19th century
Deep Neural Network in Typeface
Why don’t EULA’ve me?
Capital additions to Georgian typography
Buddy up!
The legibility of letters and words
Did photography kill punchcutting?
Glyphs
Lean Back
IT IS WRITTEN
Text in need
Everyday handwriting
Versatile Type Design for the Web
Synoptic Translations
Earning a living
Creating a platform for type foundries
The Font that Never Was
Design, Culture & Reality
The Open Source Python Font Production Pipeline
Tanaka Ikko and the Japanese Modern Typography
The evolution of the type specimen book
Muster Hundreds!
Code Switching, Multi-Style, Diglossia
Museum & typeface
Tailoring tools for type designers
Plenary session, Gerry Leonidas
Digitalization of the Demotic Script from the middle part of the text on Rosetta Stone
Archetype
A Proposal for a Common EULA
Advances in JS-based font creation technologies and tools
Six 5-minute-presentations
A Typography for India
From Typespotting to Warsaw letters
Supporting East Asian Web fonts with Dynamic Augmentation
Fusion
Industry Update
READSEARCH - A Platform for Reading Research
Bruno Maag ATypI 2016 interview
Indra Kupferschmid ATypI 2016 interview
Laura Meseguer ATypI 2016 interview
Petra Černe Oven 2016 interview
Gerry Leonidas ATypI 2016 interview
Sonja Knecht ATypI 2016 interview
Slovenia 2012 country delegate report