Indra Kupferschmid ATypI 2016 interview
Indra Kupferschmid in an interview by Liron Lavi Turkenich. Filmed during ATypI conference in Warsaw, 2016.
Skip to content. | Skip to navigation
Personal tools
Typographique
Internationale
Navigation
- Navigation
-
- The facts about font licensing
- Five basic rules for buying fonts
- Athena Ruby
- Think it through!
- Expanding possibilities of typography
- Typeface for Prague enamel street signs
- Don’t design web fonts
- Alverata
- Making Mongolian & Balinese work in digital type
- Post-paper
- Glossy design then and now
- New Transport
- Designing with science
- Ala has a pen
- The (digitized) calligraphy on HM Queen Beatrix’ Abdication Act 2013
- Hanzi-Graphy
- The (potential) future of responsive typography
- Lost and found
- Inline vs outline
- Open and collaborative font design in a web fonts world
- On digitization
- Directionality in Korean type design
- The new Rijksmuseum identity and typeface family
- Speed punk
- The history of ‘humanist’ type
- Yearning for kerning
- The Infancy of the Monotype Library
- Early stencil makers in Europe
- What's the point?
- A few methods for teaching letter-drawing to graphic design students
- How Wagner & Schmidt complicated type history
- Latinised Hebrew- radical anecdotes in search for solutions
- The grotesque one-eyed ‘a’
- The Maciet collection at the Musée des Arts décoratifs in Paris, a delightful chaos of typographic diversity
- Design and Identity – Between global types and local characters
- From metal to phototypesetting: new opportunities in typeface design
- Adrian Frutiger
- Farewell etaoin shrdlu
- State of the Mart
- In conversation with Erik Spiekermann
- Starting a type foundry 101: a checklist
- Special OpenType Session
- Introducing FontLab VI
- Telling good from bad Lettering
- Polish letters • Keynote • ATypI 2016 • Warsaw, Poland
- The Sound of Shapes & Shape of Sounds
- Lessons from the first type exercise
- A Typographic Maghribi Trialogue
- Diacritics as a Means of Self-Identification
- Typefaces for telephone directories
- Different stories, different needs.
- Shine bright like a letter
- Hiragana & Katakana: the voice of Japanese typefaces
- There is nothing Arabic about the Arabic script
- The proof is in the testing…
- A Bigger Pie
- Before Desktop Publishing
- Warsaw Types
- From forgotten boxes to Three Pioneers of Hebrew Typography
- Introducing Metapolator
- BubbleKern
- The stencilled poster in Paris in the 19th century
- Deep Neural Network in Typeface
- Why don’t EULA’ve me?
- Capital additions to Georgian typography
- Buddy up!
- The legibility of letters and words
- Did photography kill punchcutting?
- Glyphs
- Lean Back
- IT IS WRITTEN
- Text in need
- Everyday handwriting
- Versatile Type Design for the Web
- Synoptic Translations
- Earning a living
- Creating a platform for type foundries
- The Font that Never Was
- Design, Culture & Reality
- The Open Source Python Font Production Pipeline
- Tanaka Ikko and the Japanese Modern Typography
- The evolution of the type specimen book
- Muster Hundreds!
- Code Switching, Multi-Style, Diglossia
- Museum & typeface
- Tailoring tools for type designers
- Plenary session, Gerry Leonidas
- Digitalization of the Demotic Script from the middle part of the text on Rosetta Stone
- Archetype
- A Proposal for a Common EULA
- Advances in JS-based font creation technologies and tools
- Six 5-minute-presentations
- A Typography for India
- From Typespotting to Warsaw letters
- Supporting East Asian Web fonts with Dynamic Augmentation
- Fusion
- Industry Update
- READSEARCH - A Platform for Reading Research
- Bruno Maag ATypI 2016 interview
- Indra Kupferschmid ATypI 2016 interview
- Laura Meseguer ATypI 2016 interview
- Petra Černe Oven 2016 interview
- Gerry Leonidas ATypI 2016 interview
- Sonja Knecht ATypI 2016 interview
- Slovenia 2012 country delegate report
© Association Typographique Internationale